Mr. Solomon thrust the necklace toward me and said, "In or out?"
I grabbed the cross, knowing I would need it.
Chapter Six
I love Bex and Liz. Seriously, I do. But when your mission is to go unnoticed at the Roseville town carnival while trailing an operative who's as good as Mr. Smith, a genius in Jackie O shades and a girl who could totally be Miss America (even though she's British) are not exactly what I'd call ideal backup.
"I have eyeball," Bex said, as I lurked across the town square by the dunking booth. Every minute or so, I'd hear a splash and applause behind me. People kept walking by carrying corn dogs and caramel apples—lots of calories on sticks—and I suddenly remembered that while our chef makes an awesome crème brûlée, his corn dogs really do leave something to be desired.
So I bought one—a corn dog, that is. Now, here's where you might start thinking—Hey, who is she to eat during a mission? Or, isn't it careless to stand there smearing mustard all over a deep-fried weenie when there are operatives to tail? But that's the thing about being a pavement artist (a term first used to describe me when I was nine and successfully tailed my father through the mall to find out what he was going to buy me for Christmas), you can't be ducking behind Dumpsters and dodging into doorways all the time. Seriously, how covert is that? Real pavement artists don't hide—they blend. So when you start craving a corn dog because every third person you see is eating one, then bring on the mustard! (Besides, even spies have to eat.)
Bex was on the far side of the square, milling around outside the library while the Pride of Roseville marching band warmed up. Liz was supposed to be behind me, but I couldn't see her. (Please tell me she didn't bring her molecular regeneration homework…) Mr. Smith was probably thirty feet in front of Bex, being Joe Ordinary, which was totally creeping me out. Every few moments I'd catch a flash of his black jacket as he strolled along the streets, looking like a soccer dad who was worried about the mortgage, and I remembered that of all the false façades at the Gallagher Academy, the best belonged to its people.
"How you doing up there, Duchess?" I asked, and Bex shot back, "I hate that bloody code name."
"Okay, Princess," I said.
"Cam—" Bex started, but before she could finish her threat, I heard Liz's voice in my ear.
"Chameleon, where are you?" Liz complained. "I lost you again."
"I'm over by the dunk tank, Bookworm."
"Wave your arms or something." I could almost hear Liz standing on tiptoes, peering through the crowd.
"That kind of defeats the purpose now, doesn't it?" Bex noted.
"But how am I supposed to follow you, following Smith if I can't— Oh, never mind," Liz said. "I see you."
I looked around and thought, Oh, yeah, I can see why I'd be tough to spot. I was sitting on a bench in plain sight. Seriously. I couldn't have been more out in the open if I'd had a big neon sign over my head. But that's the thing most people don't get about surveillance. No one—not even one of my best friends—was going to look twice at an ordinary-looking girl in last year's clothes sitting on a park bench eating a corn dog. If you can be still enough, and common enough, then it's really easy to be invisible.
"He's flipping," Bex said softly, and I knew it was showtime. Roseville might look like Mayberry, but Professor Smith wasn't taking any chances. He was doubling back, so I got off my bench and eased toward the sidewalk, knowing Smith was heading toward me on the opposite side of the square, past Bex, who managed to duck her head and act nonchalant. That's when a lot of people would have lost it. An amateur would have looked at her watch and spun around as if she'd just remembered some place she needed to be, but not Bex—she just kept walking.
Half the town must have turned out for the carnival, so there was lots of pedestrian cover on the sidewalk between Mr. Smith and me (a very good thing). People don't see things nearly as quickly as they see motion, so when Professor Smith turned, I stayed perfectly still. When he moved, I waited five seconds, then followed. But mostly, I remembered what my dad always said about how a tail isn't a string—it's a rubber band, stretching back and forth, in and out, moving independently of The Subject. When something interested me, I stopped. When someone said something funny, I laughed. When I passed an ice-cream stand, I bought some, all the while keeping Mr. Smith at the edge of my vision.
But that's not to say it was easy. No way. In all the times I'd imagined my first mission, I'd always thought I'd be retrieving top secret files or something. Never once did I imagine that I'd be asked to tail my COW professor through a carnival and find out what he drinks with his funnel cakes. The crazy thing was that this was SO MUCH HARDER! Professor Smith was acting as if those KGB hitmen were already on their way to Roseville—using every countersurveillance technique in the book (or at least the books I've seen), and I realized how exhausting it must be to be him. He couldn't even go out for funnel cakes without "flipping" and "corner clearing" and "breadcrumbing" all the time.
Once, things got really toasty, and I thought for sure he was going to make me, but I fell in behind a group of little old women. But then one of the women stumbled at the curb, and, instinctively, I reached out to help her. Ahead of us, Professor Smith stopped in front of a darkened storefront, staring at the reflection in the glass, but I was twenty feet behind him and shrouded by a sea of gray hair and polyester—which was a good thing. But then the women all turned to face me—which was a bad thing.